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How we change what others think, feel, believe and do |
Fantastic, uncanny, marvelous
Explanations > Critical Theory > Fantastic, uncanny, marvelous Fantastic | Uncanny | Marvelous | See also
Todorov (1975) defines three types of story: Fantastic
"The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event."
"The fantastic requires the fulfilment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world of living persons and to hesitate between a natural or supernatural explanation of the events described. Second, this hesitation may also be experienced by a character; thus the reader's role is so to speak entrusted to a character, and at the same time the hesitation is represented, it" becomes one of the themes of the work--in the case of naive reading, the actual reader identifies himself with the character. Third, the reader must adopt a certain attitude with regard to the text: he will reject allegorical as well as "poetic" interpretations UncannyMarvelousc. Discussion. See also
Tzvetan Todorov (1975). The Fantastic: A Structural Approach to a Literary Genre,
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