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Campbell's 'Hero's Journey' Monomyth
Disciplines > Storytelling > Plots > Campbell's 'Hero's Journey' Monomyth Separation | Initiation | Return | See also
Joseph Campbell defined a classic sequence of actions that are found in many stories. It is also known as the Monomyth, a term Campbell coined from James Joyce's Finnigan's Wake. I. Separation / departureThe first section of the story is about the separation of the hero from the normal world. Separation has symbolic echo of infant transition away from the mother and so has a scary feel to it.
II. InitiationIn the main part of the story the hero is initiated into true heroic stature by various trials and rites. Through daring and battle, the true character emerges.
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III.1 | Refusal of the Return | |
III.2 | Magic Flight | |
III.3 | Rescue From Without | |
III.4 | Crossing of the Return Threshold | |
III.5 | Master of the Two Worlds | |
III.6 | Freedom to Live |
As with other frameworks, Campbell receives his fair share of criticism, typically that not all stories are like this. His much-admired and much-copied pattern has also been criticized as leading to 'safe' movie-making, in which writers use his structure as a template, thus leading to 'boring' repeats, albeit in different clothes. The same has been said about Shakespeare, of course, as well as other classic writers.
Propp's Morphology of the Folk Tale, Vogler's story structure
Campbell, J. (1949). The Hero With a Thousand Faces, New York: Bollingen
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| Home | Top | Quick Links | Settings | |
Main sections: | Disciplines | Techniques | Principles | Explanations | Theories | |
Other sections: | Blog! | Quotes | Guest articles | Analysis | Books | Help | |
More pages: | Contact | Caveat | About | Students | Webmasters | Awards | Guestbook | Feedback | Sitemap | Changes | |
Settings: | Computer layout | Mobile layout | Small font | Medium font | Large font | Translate | |
| Home | Top | Menu | Quick Links | |
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